INT
- MR. JAMES’ CORPORATE OFFICE - DAY
BRENT EDWARDS (36, a robot of
a worker who’s lost all sense of thrill in his life) walks into the open door
of MR. JAMES’ (52, President of B.F.G.U. Co.) office.
BRENT
Knock, knock.
MR.
JAMES looks up from his computer.
MR. JAMES
Brent,
just the man I was looking for. Take a seat . . . help yourself to a pastry.
BRENT grabs a napkin and
Danish from the tray sitting on MR. JAMES’ desk and plops down in the chair
opposite him.
BRENT
So, what’s the news?
MR.
JAMES leans back in his chair, putting his hands behind his head.
MR. JAMES
Well,
Brent. There comes a time in a man’s life when he has to do something he really
doesn’t want to do.
BRENT’S
demolishing his Danish and nodding in agreement
BRENT
Very true.
MR. JAMES
There
comes a time when a man . . . has to say something he really doesn’t want to
say. You following me?
BRENT
Completely.
MR. JAMES
Are you really?
BRENT
No.
MR. JAMES
You’re fired.
BRENT stops chewing mid bite
and stares at Mr. James. With his mouth still full:
BRENT
What do you mean fired?
MR.
JAMES picks up his phone and begins
MR JAMES
I mean
don’t make a scene, exit the premises quietly, we’ll have your shit sent to you,
fired. (To the phone) Uh, can you send someone up to my office to escort
Mr. Edwards out of the building? . . .uh huh . . . thank you.
BRENT (to himself)
Fuck . . . me . . .
After
a brief moment of contemplation, BRENT whips his Danish at MR. JAMES. The
Danish sticks to his forehead
INT. CORPORATE OFFICE BUILDING - DAY
BRENT’s
being dragged out of the building by two huge body guards. He’s kicking cubicles
over and shouting while his coworkers watch in disbelief.
BRENT
You’re
all fucking clones! All of you! Joan, your breath fuckin’ reaks, smells like
you brush your teeth with shit paste. Travis, you’re a prick, in every sense of
the word. Kelly, you’re a whore, your mothers a whore, and your daughter has
aspirations of being a whore. I hate all of you! I hate all of youuu!
BRENT
disappears around the corner with his coworkers left staring at each other.
TRAVIS
Talk about dramatic. Sooo, Kelly . . .
KELLY
Fuck off, Travis.
INT.
BRENT’S CAR - DAY
BRENT
bangs his head over and over again on the steering will.
BRENT
Fuckkkk meeee!
He
starts the engine and pulls off.
BRENT
What am
I going to do? What the FUCK am I going to do? My wife’s going to leave me . .
. I’m going to be out on the street. A fucking bum.
BRENT pulls up to a light and
has another spaz session. A small child’s watching him from the car next to him
INT.
CAR NEXT TO BRENT AT THE LIGHT - DAY
The kid watches BRENT spaz
out causing his car to rock. You can see him mouthing the words, “fuck me” over
and over again. BRENT notices the kid and immediately calms himself.
INT.
BRENT’S CAR - DAY
The light turns green and
BRENT pulls off. A billboard catches his attention and he stops. It reads: Laid
off? Experience the Great Outdoors.
BRENT
Something about this sign speaks to me. I’ve decided.
INT.
BRENT’S HOUSE - DAY
BRENT rushes through the
front door. His wife, TRICIA, (34, a sarcastic yet fun loving woman) is sitting
on the couch reading a magazine.
TRICIA
You’re home early.
BRENT
Ya, I
got laid off, but that’s another discussion. I’m taking Kris on a trip.
BRENT
sits on the arm of the couch. TRICIA flips through her magazine nonchalantly.
TRICIA
So, let
me get this straight. You got laid off, but rather than looking for a new job,
or something constructive like that, you’re going to take our son on a trip?
That makes perfect sense. Perrrfeccttt sense.
BRENT
rises from the couch and walks to the kitchen disappearing off screen.
BRENT (O.S.)
Not just any ol’ trip.
He
returns to the arm of the couch with a beer.
BRENT
A camping trip. We’re going to experience the great
outdoors.
BRENT
gives her a big dumb smile while awaiting her response. TRICIA’S dumbfounded.
TRICIA
Brent.
You can barely cut the fuckin’ grass, let alone survive in the forest. I mean .
. . come on.
He
frowns at her takes a sip of his beer.
BRENT
That’s
not the point, Trish. It’s all about the male bonding. He’s soft. Doing man
shit for a couple days me toughen him up.
TRICIA
punches BRENT in the thigh.
TRICIA
Kris is not soft . . . he’s just . . . a geek.
BRENT
Which is a synonym for soft.
TRICIA
I
guess. What am I supposed to be doing while you two are off “manning” it up?
BRENT
I don’t know. Do woman things like cooking, cleaning,
nagging . . . bleeding. Things of that nature.
She gets up quietly and walks behind the couch as if
she’s leaving the room. BRENT shakes his head.
BRENT
I was just joking.
BRENT begins to take another sip of his beer, but
before the bottle reaches his lips he’s put in a UFC type headlock by TRICIA.
TRICIA
Do woman things like what!? Huh!?
BRENT’S fighting for his life, unable to breathe.
TRICIA
I can’t hear you! Speak up!
She lets him go and pushes him onto the couch.
TRICIA
And Kris is the soft one?
She leaves the room. BRENT lies on the couch gasping
for air.
BRENT
You may have one this battle, but I’m going to fuck
your life over when you least expect it! Mark my words!
KRIS, (13, a book smart, know-it-all) comes through
the front door.
BRENT
Hey, son.
KRIS is surprised to hear his voice.
KRIS
Dad? What are you doing here so early?
BRENT sits up holding his neck.
BRENT
It’s a long story. Well, not really. I got fired.
KRIS drops his backpack dramatically.
KRIS
What . . .?
BRENT
Nothing for you to worry about, but guess what? We’re
going camping!
KRIS
Why?
BRENT
Cause we fuckin’ are, go pack your shit. Let’s get
this fun train chugging. Woo woo!
KRIS rolls his eyes and begins walking up the stairs.
BRENT gets up from the couch and yells up after him:
BRENT
It’s going to be a good time! (Singing and Dancing)
Come and ride the train, you ride it. Come and ride the train the choo choo
trainnnn . . .aaaahhh ahhh ahhh ahh ah . . . I think I can, I think I can, I
think I can, I think I can . . .
EXT. BRENT’S DRIVEWAY - DAY
BRENT’S car has a cargo carrier on top of it nearly
the size of the car itself, that he’s stuffing camping goods into (fishing
poles, tent stuff, food, cooking supplies, etc.). KRIS is sitting in the front
seat with his ear phones on, and TRICIA is watching BRENT pack.
TRICIA
Do you really need to bring the entire house with
you? And how long do you two plan on
being gone?
BRENT closes the latch on the cargo carrier and walks
up to TRICIA.
BRENT
We’re good to go.
He grabs TRICIA lovingly by her shoulders.
TRICIA
We’ll be back in a couple days. Don’t worry about us,
okay? Pamper yourself, go to a spa or something. I’ll get my job situation
figured out once we get back.
BRENT kisses her forehead sweetly, followed by both
cheeks, then finally her lips.
KRIS
Gag me!
BRENT whips his head in the direction of his son.
BRENT
Shut up, Dick!
KRIS
Watch your mouth, Dick!
TRICIA cuts KRIS a look.
TRICIA
Hey. Watch it.
KRIS laughs and puts his ear phones back on. BRENT
walks over to the driver side of the car and gets in. TRICIA walks up to the
passenger side and kisses KRIS on the cheek through the window.
TRICIA
Take care of my baby.
BRENT looks at her intensely.
BRENT
We are men. Men destined to do men things. I bid you
adieu.
KRIS
Bye, Mom.
TRICIA looks at the car as it pulls off with her brow
furrowed, biting her nails.
TRICIA
I love you! (to
herself) Don’t kill yourselves . . . please . . .
EXT. REMOTE CAMPING GROUND – NIGHT
The sun approaches the horizon as BRENT’S car pulls to
a dusty halt in a dirt parking lot at the mouth of the forest.
INT. BRENT’S CAR – NIGHT
BRENT and KRIS survey the eerily empty parking lot.
BRENT
I guess it’s not camping season, huh?
KRIS
Guess not.
BRENT opens up his door and exits the car. KRIS
follows after his father gives him the okay. BRENT and KRIS both appear
awkwardly uncomfortable.
BRENT
Soo, let’s get this stuff unpacked.
BRENT opens up the latch on the cargo carrier and
begins handing various things to his son.
KRIS
Where am I supposed to be putting this stuff?
BRENT
Oh, there’re two big camping backpack type thingies in
the backseat.
KRIS opens the backdoor of the car and grabs the bags
out of the backseat. He then begins stuffing those bags with the random things
his dad passes him.
KRIS
Really? A toaster? Where
could we possible plug it in?
BRENT
Uh, just thinking ahead I guess.
Uh, just thinking ahead I guess.
KRIS
He brings a toaster to the forest. I’m really surprised
I can read.
BRENT
You’re an ass.
BRENT scoops up one of the packed bags and puts it on.
KRIS does the same, but the weight of the bag causes him to fall backward.
BRENT looks at him in disbelief then yanks him up by his bag.
BRENT
Man up. (he tugs at Kris’s bag) You ready?
KRIS’S feelings seem hurt a bit.
KRIS
Yeah . . .
BRENT takes off toward the forest; it’s getting darker
and darker by the second.
EXT. FOREST - NIGHT
BRENT
Take out your flashlight.
KRIS reaches in the side of his backpack, grabs a
flashlight, and turns it on. BRENT does the same. They continue to trudge
deeper and deeper into the forest.
KRIS
How are we supposed to get our tent together in the
dark?
BRENT
Uh, we’re going to start a fire. You know . . . with
wood and flint . . . or matches and kerosene.
KRIS
Ya, I bet.
EXT. FOREST CLEARING – NIGHT
BRENT stops and surveys the area with his flashlight.
They’re in a clearing. The moon shines high and bright in the sky.
BRENT
This seems like a good spot. Whatcha think?
KRIS looks around and shrugs his shoulders.
KRIS
It’s aright. Smells a bit swampy.
BRENT begins unpacking.
BRENT
If I’m not mistaken, we’re not too far from a river.
Can you start gathering wood for me? The moon’s pretty bright; I think I’m
going to start setting up the tent.
KRIS walks to the edge of the clearing and begins
gathering wood. BRENT begins setting up the tent.
KRIS
Aren’t there alligators in that river?
BRENT’S struggling to get the tent up.
BRENT
Not that I know of . . .
KRIS (to himself)
Not that you know much of anything.
BRENT
You say something?
KRIS
Nope
KRIS returns with the wood.
KRIS
This sufficient?
BRENT stands with his hands on his hips proudly
staring at his poor excuse for a tent. He diverts his attention to the pile of
wood in front of KRIS.
BRENT
Looks good to me. Okay, Man lesson number one: Making
a fire.
KRIS rolls his eyes and sits down on the ground Indian
style.
BRENT
First, you have to put the wood in like a teepee type
formation. That way . . . the smoke can . . . get out or something.
BRENT puts the wood in a makeshift teepee formation.
KRIS is baffled by BRENT’S ignorance.
KRIS
Right.
BRENT walks over and grabs the kerosene.
BRENT
Then, you grab the kerosene and spray it on the wood.
(he sprays some) Here you try.
KRIS stands up and BRENT hands him the kerosene. KRIS
sprays the wood lazily.
BRENT
Come on, spray. Go nuts.
KRIS grabs the bottle with both hands and squeezes the
entire bottle onto the wood. BRENT yanks the bottle, and KRIS smirks.
BRENT
Smart ass. Now if we blow up, I’m blaming you. Stand
back.
BRENT lights a match and throws it onto the fire. WOOSH
a flame taller than the tallest tree in the forest shoots from their tiny
teepee. Both Brent and Kris stare at in awe.
BRENT
If you’re trying to kill me just tell me now.
KRIS
That’d ruin the surprise.
BRENT ruffles Kris’s hair.
BRENT
It’s
a clear night; you just want to bunk out here by the fire?
KRIS looks at the tent then back at BRENT
KRIS
Definitely by the fire.
BRENT looks at the tent
BRENT
Hey, hey, hey. That tent fuckin’ rocks.
KRIS
Sure it does.
KRIS walks over to the tent and grabs the sleeping
bags. He tosses BRENT his bag.
BRENT
Thanks.
The both of them lay out their bags and crawl in.
BRENT
This is nice, right? Just us men. Lying under the
stars. By the fire. Father and son. Yeah . . . It’s great.
KRIS
Yuh, sure dad. Night.
BRENT
Night, son.
DISOLVE TO:
EXT. FOREST CLEARING – DAY
Both BRENT and KRIS lie sleeping with just a fizzle of
smoke left in place of the fire. An alligator comes onto the screen. It begins
pulling BRENT’S sleeping bag. BRENT squirms, still sleeping, talking to
himself:
BRENT (to himself)
I hate all of you. I hate all of you. Stink. Prick.
Whore. Kris? Kris?
The alligator continues to drag BRENT away.
KRIS
What, dad? I’m trying to sleep . . . dad?
KRIS turns over and opens his eyes, only to see his
father nearly thirty feet away being dragged by and alligator.
KRIS
Dad!
KRIS takes off running towards his father in tears.
KRIS
Dad! . . . Dad, wake up!
EXT. RIVER EDGE – DAY
The alligator pulls BRENT into a calm river. BRENT
doesn’t wake until he feels his feet moisten.
BRENT
The fuck?
BRENT finally notices the alligator.
BRENT
The fuck!?
It’s too late his all the way in the water now
tussling with his sleeping bag. KRIS finally catches up and stands at the
rivers edge. The alligator rushes BRENT. BRENT grabs him by the neck and
straddles the alligators back, clinching it as tight as he can.
KRIS
Dad!
BRENT
Kris! Go get help . . . the lone ranger! (dunks under
the water) Mcgiver! (dunks under the water) Yogi Bear! (dunks under the water)
anybody!
Kris doesn’t leave the rivers edge. BRENT begins
punching the alligator as hard as he can in its side. BRENT tries every
wrestling hold he’s seen on TV. The alligator is getting increasingly
aggressive.
KRIS
Dad! Your pocket knife!
BRENT reaches in his pocket and pulls out a Rambo type
pocket knife.
BRENT
Good think---
The alligator dives under the water. BRENT and the
gator disappear for several uncomfortable seconds. KRIS can’t stop moving and
biting his nails.
KRIS
DAD!? (to himself) please don’t be dead, please don’t
be dead, please don’t be dead.
In a rush of water and a manly roar, the alligator and
BRENT shoot straight up in the air, at least ten feet out of the water.
Slo-mo:
BRENT takes the knife out of his mouth and cuts
straight down the gators stomach, revealing its insides.
BRENT
I am man, hear me roarrrrr!
Break from slo-mo:
BRENT and the gator come crashing to the water,
spraying water and blood everywhere. BRENT walks out of the water slowly with
his knife in one hand, dragging the gator by its tail with the other. His
adrenaline is obviously in overdrive. In his best Clint Eastwood impression he
says:
BRENT
Hungry?
KRIS stares at his father who’s cloaked in gator
blood, with a goofy smile. KRIS is bubbling with excitement. He rushes over to BRENT
and squeezes him tightly. BRENT drops his knife and the gator and embraces him.
KRIS
I thought I lost you.
Still in his Clint Eastwood voice.
BRENT
I ain’t goin’ anywhere, kid. Now, let’s go roast some
gator.
EXT. FOREST CLEARING – DAY
BRENT and KRIS sit around the fire roasting gator like
marshmallows, looking at each other, smiling, and enjoying their meal.
EXT. BRENT’S DRIVEWAY – NIGHT
TRICIA sits waiting on the front stoop of their home.
She rises when she sees the lights from BRENT’S car down the block. The car
pulls into the driveway and they exit the vehicle.
TRICIA
Oh-my-god, oh-my-god? What happened!? Is that blood!?
Are you bleeding? Are you hurt?
KRIS puts his hand up to silence TRICIA. In his best Clint Eastwood impression:
KRIS
I became a man today. That’s all you need to worry
your pretty little head about.
They sit in silence for awhile, and then KRIS slowly does
a manly walk into the house. TRICIA’S mouth is wide with her hand on her heart,
as she watches her son walk away.
BRENT
That’s my boy! That’s
how you talk to a woman.
TRICIA
And that’s
how you get put on pussy punishment. Goodnight, my dear. Have fun unpacking.
BRENT watches with a pouty look on his face as TRICIA
swishes her hips into the house, blowing him a kiss as she disappears through
the doorway.
BRENT (to himself)
Fuckk meee.
The End.
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